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FORE:Fragonard, the Proven?al, had more depth and dramatic feeling, the passion of the south and the love of nature in his work gave a stronger, truer, more impressive tone to his pictures; but Boucher, the favourite painter of Louis XV., the Marquise de Pompadour, and the court would seem from his pictures to have looked upon everything in life as if it were a scene in a carnival or fte. His goddesses and saints, even the holy Virgin herself, were painted from models from the theatre, and looked as if they were; his gardens, roses, silks, satins, nymphs, fountains, and garlands were the supreme fashion; every one wanted him to paint their portrait; he had more commissions than he could execute, and his head was turned by the flattery lavished upon him.
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FORE:It is true! I have not my cocarde! No doubt I must have forgotten it and left it on my night-cap.
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FORE:In the Memoirs of Louis XVIII, he remarks, after the dismissal of Necker: A report was spread that the Queen and the Comte dArtois had given orders for a general massacre, to include the Duke of Orlans, M. Necker, and most of the members of the National Assembly. Sillery, Latouche, Laclos, Voidel, Ducrest, [123] Camille Desmoulin, and all those who came from the Duc dOrlans, were the first to spread these lies. [124]
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FORE:(Air: Rendez-moi mon cuelle de bois.)
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